![]() These estimates do not affect the qualitative findings of the 2011 NGTA and were used primarily to create the maps highlighting gang activity nationally. The data used to calculate street gangs and outlaw motorcycle gang estimates nationwide in the report are derived primarily from NDIC’s National Drug Threat Survey. Based on these estimates, geospatial maps were prepared to visually display the reporting jurisdictions. Likewise, these estimates may not capture gang membership in jurisdictions that may have underreported or that declined to report. The estimates were provided on a voluntary basis and may include estimates of gang members as well as gang associates. An overview of how these numbers were collected is described within the Scope and Methodology Section of the NGTA. The gang estimates presented in the 2011 National Gang Threat Assessment (NGTA) represent the collection of data provided by the National Drug Intelligence Center (NDIC) through the National Drug Threat Survey, Bureau of Prisons, State Correctional Facilities, and National Gang Intelligence Center (NGIC) law enforcement partners. ![]() Two of the more remarkable routines include an hilarious sample from the cartoon Fat Albert and the Cosby Kids, which speaks out against rapper's materialism, as well as the skillfully crafted "Battle Interlude" from a radio show in Rochester.2011 National Gang Threat Assessment – Emerging Trends "Rude Boy" will please fans of Caribbean music and may well convert them into rap fans along the way.īetween some of the cuts, Mad Pack has crafted some of the most effective voice-over skits this side of De La Soul. Mad Pack must agree, because they enlisted the commandeering voice of the late reggae artist Bobby-T (who died before the cassette was released) on the cut "Rude Boy," which can best be described as hip-hop meets the dance hall. Many observers believe rap will survive if and when it successfully builds bridges to other genres. Hip-hop heads who have caught Mad Pack's high-energy performances at local venues or heard them flex their freestyle rhyme skills over the airwaves of the old WOLF-AM 1490 will certainly remember the rambunctious "Kill a Copy Kat" and more mellow offerings such as "Continuous Vibe" and "Six Souls Singin.'" New Edition fans will recognize Mad Pack's hypnotic "Red Lights and Incense," which features the beat from NE's single "Hit Me Off." Another sizzling track along similar lines is the hard-core cut "I.O.U.," a chorus-line jam featuring each member's twisted rendition of the big payback. A&R," for instance, takes a shot at record companies' artist and repertoire departments, many of whom don't know much about the genre, yet are responsible for discovering and signing acts. These tales will make listeners smile and even laugh when hearing them for the first time. They verbalize these triumphs and tribulations on this 12-song cassette and, thankfully, their soul-searching is done without being too vindictive. Mad Pack is learning the ins and outs of the music game by trial and error. This album might be easy to digest, but it's certainly not candy-coated.Īll good artistic endeavors are autobiographical on some level, and Last Dimension is no exception. Newcomers beware, however: Last Dimension remains close to the street and doesn't swagger toward a pop appeal like recent projects from Fugees or Coolio. Aesthetically, however, it's infused with a back-to-basics style that emphasizes double entendre and palpitating rhythms, yet refuses to rely on hyper-materialism and gimmicks. The long-delayed Last Dimension chronicles Mad Pack's progression from a conglomerate of raw hip-hop talent into polished rap trailblazers here in the Salt City.įor fans who enjoy rap laced with lyrical mind bombs and humorous rhymes, Last Dimension hits its mark in a hurry. This is all perfect timing for the new release by Mad Pack, the Sammy-winning Syracuse collective that includes three acts: Channel 3, the Sub-basements and solo artist R-Reality. Many small-market efforts provide avenues for fresh approaches and make room for provocative new voices in rap. As the resilient genre races toward its 20th anniversary as a commercial commodity, its fans still wonder what will propel it beyond misogyny, gangsta-ism and East Coast/West Coast polarity.Īnswers to those concerns slowly surface in smaller metropolitan areas such as Syracuse. Thousands of rap albums glut the market each year, few of them memorable. Terry Baker, Syracuse New Times 01-08-1997 ![]()
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